Several weeks ago I was having a discussion with a group of
friends about the films of Richard Linklater, and one of my friends
mentioned that they were unfamiliar with his work. I found that
surprising, and so I spent some time asking other people about directors
the liked and didn’t like, had heard of and hadn’t heard of, and found
that there were a number of directors that I consider to be absolutely
essential who are (at least in the circles I run in) largely ignored.
Starting today, I will be doing profiles of the top five filmmakers who
fit this description (I love them dearly, but very few people I know
have seen their films), with the hope that it will draw some attention
to the work of some talented artists near and dear to my heart. Today, I
will be looking at the work of the Canadian filmmaker Denis Villeneuve.
Saturday, June 28, 2014
Monday, June 9, 2014
Narcos, or Pedro Pascal is the Next Big Thing
Late last week, Variety reported that Pedro Pascal, a.k.a. Prince Oberyn Martell of Game of Thrones fame, will be starring in Narcos,
the new Netflix original series about the DEAs attempt to bring down
Pablo Escobar (who will be played by the interesting Brazilian actor
Wagner Moura).
There is a lot to like about this whole thing. The series will be directed by Jose Padilha (the Robocop reboot), and will be produced by Eric Newman (Children of Men) and Chris Brancato (one of the guys who brought us Hannibal ). Padilha is a competent action director, and even if Robocop had more ambition than execution that combination is better than having no ambition at all. Technique can be honed, and Newman and Brancato have demonstrated an ability to oversee and shape ambitious creative types.
There is a lot to like about this whole thing. The series will be directed by Jose Padilha (the Robocop reboot), and will be produced by Eric Newman (Children of Men) and Chris Brancato (one of the guys who brought us Hannibal ). Padilha is a competent action director, and even if Robocop had more ambition than execution that combination is better than having no ambition at all. Technique can be honed, and Newman and Brancato have demonstrated an ability to oversee and shape ambitious creative types.
Wednesday, June 4, 2014
Album Review – Ethan Johns, The Reckoning
When Etta Parsons, writing for the New Musical Express, reviewed Ethan Johns’ debut album If Not Now Then When?
(2013) she described Johns’ style as “Bill Callahan dealing with a lazy
hangover.” Well, yes and no. Part of what made Johns’ initial album so
frustrating was the paradoxical combination of his obvious talent and
equally obvious lack of understanding of his particular musical voice.
This is not all that surprising when you think about it.
Josh Trank and the Star Wars Spinoff
On June 4th Entertainment Weekly reported that Josh Trank had been selected to direct one of the two Star Wars
spin-offs that will accompany J.J. Abrams new trilogy (this writer
sincerely hopes that he will be helming the rumored Boba Fett origin
story). Gareth Edwards, of Godzilla (2014) fame, will be
directing the other spin-off (reports indicate that it will chronicle
the adventures of the young Han Solo).
Monday, June 2, 2014
Our Technology, Ourselves – A Review of Black Mirror
In 1961, Walker Percy published The Moviegoer, a
philosophical novel concerned with how an individual can truly know
themselves in a mediated world. His protagonist, Binx Bolling, is a
traumatized and disaffected young man who has returned to New Orleans
after the Korean War and finds that he is not capable of interacting
with other human beings. Instead, he tries to come to an understanding
of his life by going to the movies. Movies function, for Binx, as a
framework for understanding life, and he is constantly convinced that
each new film will give him what he needs to connect in a meaningful way
with himself and with others.
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