Several weeks ago I was having a discussion with a group of
friends about the films of Richard Linklater, and one of my friends
mentioned that they were unfamiliar with his work. I found that
surprising, and so I spent some time asking other people about directors
the liked and didn’t like, had heard of and hadn’t heard of, and found
that there were a number of directors that I consider to be absolutely
essential who are (at least in the circles I run in) largely ignored.
Starting today, I will be doing profiles of the top five filmmakers who
fit this description (I love them dearly, but very few people I know
have seen their films), with the hope that it will draw some attention
to the work of some talented artists near and dear to my heart. Today, I
will be looking at the work of the Canadian filmmaker Denis Villeneuve.
Saturday, June 28, 2014
Monday, June 9, 2014
Narcos, or Pedro Pascal is the Next Big Thing
Late last week, Variety reported that Pedro Pascal, a.k.a. Prince Oberyn Martell of Game of Thrones fame, will be starring in Narcos,
the new Netflix original series about the DEAs attempt to bring down
Pablo Escobar (who will be played by the interesting Brazilian actor
Wagner Moura).
There is a lot to like about this whole thing. The series will be directed by Jose Padilha (the Robocop reboot), and will be produced by Eric Newman (Children of Men) and Chris Brancato (one of the guys who brought us Hannibal ). Padilha is a competent action director, and even if Robocop had more ambition than execution that combination is better than having no ambition at all. Technique can be honed, and Newman and Brancato have demonstrated an ability to oversee and shape ambitious creative types.
There is a lot to like about this whole thing. The series will be directed by Jose Padilha (the Robocop reboot), and will be produced by Eric Newman (Children of Men) and Chris Brancato (one of the guys who brought us Hannibal ). Padilha is a competent action director, and even if Robocop had more ambition than execution that combination is better than having no ambition at all. Technique can be honed, and Newman and Brancato have demonstrated an ability to oversee and shape ambitious creative types.
Wednesday, June 4, 2014
Album Review – Ethan Johns, The Reckoning
When Etta Parsons, writing for the New Musical Express, reviewed Ethan Johns’ debut album If Not Now Then When?
(2013) she described Johns’ style as “Bill Callahan dealing with a lazy
hangover.” Well, yes and no. Part of what made Johns’ initial album so
frustrating was the paradoxical combination of his obvious talent and
equally obvious lack of understanding of his particular musical voice.
This is not all that surprising when you think about it.
Josh Trank and the Star Wars Spinoff
On June 4th Entertainment Weekly reported that Josh Trank had been selected to direct one of the two Star Wars
spin-offs that will accompany J.J. Abrams new trilogy (this writer
sincerely hopes that he will be helming the rumored Boba Fett origin
story). Gareth Edwards, of Godzilla (2014) fame, will be
directing the other spin-off (reports indicate that it will chronicle
the adventures of the young Han Solo).
Monday, June 2, 2014
Our Technology, Ourselves – A Review of Black Mirror
In 1961, Walker Percy published The Moviegoer, a
philosophical novel concerned with how an individual can truly know
themselves in a mediated world. His protagonist, Binx Bolling, is a
traumatized and disaffected young man who has returned to New Orleans
after the Korean War and finds that he is not capable of interacting
with other human beings. Instead, he tries to come to an understanding
of his life by going to the movies. Movies function, for Binx, as a
framework for understanding life, and he is constantly convinced that
each new film will give him what he needs to connect in a meaningful way
with himself and with others.
Saturday, May 31, 2014
Dave’s TV Year in Review
1973 was a phenomenal year for California reds. That was the year
that Stag’s Leap Wine Cellars produced the California Cabernet Sauvignon
that would go on to win the legendary 1976 “Judgment of Paris,” a blind
tasting that pitted the best American vintages against the legendary
vineyards of Chateau Mouton-Rothschild, Chateau Montrose, and Chatea
Haut-Brion (three of the four original “first growth” vineyards
established under the direction of Napoleon III in 1855). The victory by
Stag’s Leap was astonishing. The vineyard had only been producing wine
for two seasons, and the French vineyards they defeated had been,
collectively, producing wine for a millennium. A lot goes into a growing
year like that. The conditions need to be just so: just so much rain,
just so much sun, just so much nitrogen in the soil. But when those
things come together in the proper way, magic can happen.
Thursday, May 15, 2014
A Few Thoughts on Network Upfront Week
It’s been a crazy couple of weeks. May is when the semester wraps
up here in East Lansing. That means grades have to be submitted, upset
students consoled, and sorting through the inevitable set of excuses
that accompanies every finals week. At the end of the fall semester the
promise of the holiday season and all that it entails gives me the
motivation to sort through the meshugas. There are no corresponding
holidays at the end of the spring semester. Memorial Day is still weeks
away. So I console myself with a pop culture lover’s unofficial holiday
season…TV upfront week!
Subscribe to:
Posts (Atom)