On the one hand, the process of creation, particularly the creation of
food, is intoxicatingly life affirming. On the other hand, the process, the
hours, the labor itself is extremely taxing. This is clearly an area of
fascination for David Gelb, the series creator and the documentarian who
directed 2011’s Jiro Dreams of Sushi (and
also, strangely, the uninspired horror by rote The Lazarus Effect).
What seems
to draw Gelb to this subject, to fascinate him, is an idea of food as the stuff
of the soul, of eating as the intermediary between the material body and the transcendental
self. As such, the perfection of the art form lies in its transitional,
transitory nature. At the same time it is also something that is grounded in
history, born out of traditions, and out of the primal elements of soil, fire,
water, and air all inscribed within the bounds of human intention (a formulation
that the fifteen century German magician Heinrich Cornelius Agrippa von
Nettesheim cited as the source of all magic).
Gelb’s
series focuses on six culinary magicians: Massimo Bottura, Dan Barber, Francis
Mallmann, Niki Nakayama, Ben Shewry, and Magnus Nilsson. Each of them confronts
the dichotomous problem of food differently. Bottura creates plates that recall
the paintings of Gerhard Richter. Barber co-owns the farm that produces nearly
all of his food. Mallmann has all but abandoned the restaurant in favor of
cooking slabs of meat and fish whose presentation resembles something out of
NBCs Hannibal on wild and open
flames. What Chef’s Table offers,
ultimately, is a look into both the material reality of food—the stress and
strain of running a restaurant, the years of scraping by, the anxiety and
flares of temper—and its transcendent life. It is no accident that the episodes are scored with classical music. Music as an art form is all about time, organized. And as I watched the episodes of Chef's Table, I couldn’t help but
think that the food I was looking at, like the stars which have produced the light we see
in the sky, had already disappeared into the bottomless well of the past. But that, I suppose, is part of the point.
Rating: 4 /
4, and a must watch for any lover of food
No comments:
Post a Comment